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Game Review: Band Frontman Jason Williamson Takes On Role in Sceptical Look at 90s Rave Culture

The work of Bristol sound co-founder the musician-producer, this scabrous though undernourished first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Poacher denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single key story turn, but it leads to a hilariously staged chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.

The film is in UK and Irish cinemas from 17 November.

By

Debbie Bullock

Elara Vance is a digital creator and innovation strategist with a passion for blending technology and art to build engaging projects.

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